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Summary Of Maus I By Art Spiegelman

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... paper, art on canvas, and art right on the walls - neon art, big art, small art, trinkets, treasures, and things you contemplate all of the possibilities for my future. I have many dreams that I could easily use to create unique ideas in my chosen field of art. I consider uniqueness and painting and posters, so I got on line and looked for Chicano art. When I read literature, sometimes it is hard for me to see the subtle effects of culture. I know it's there, but it arts, wildlife art, figurative and portrait art, landscape art, marine art and still life art. The colonial period of Japan saw no beauty in roundness. I think I began to understand how much cultural differences could affect art. So now I wondered, "How does the culture ...



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Sources list for SUMMARY OF MAUS I BY ART SPIEGELMAN:

Lehmann, Sophia. "'And here [their] troubles began': The legacy of the Holocaust in the writing of Cynthia Ozick, Art Spiegelman, and Philip Roth" CLIO. 28:1 (Fall 1999).
Art Spiegelman’s Holocaust

Dreifus, Claudia. "Art Spiegelman: The progressive interview" Progressive. November 1989.
Art Spiegelman’s Holocaust

Spiegelman, Art. 1986. Maus: A Survivor's Tale: My Father Bleeds History/Here My Troubles Began/Boxed. New York; Pantheon Books.
The Holocaust and Genres

Minear, Richard H., Geisel, Theodor Seuss and Spiegelman, Art. 2001. Dr. Seuss Goes to War: World War II Editorial Cartoons of Theodor Seuss Geisel. The New Press.
Dr. Seuss and WWII

Wilde, Oscar and Walter Pater. "Art for Art's Sake." Arts Education Policy Review, Vol. 104, Iss. 5, 2003.
Racism in "Heart of Darkness"

 


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